Ros bandt biography sampler

We elicit you to explore the curriculum vitae of Australian composer Ros Bandt, as it is presented inconvenience Grove Music Online.

By Warren Burt

(b Geelong, Victoria, 18 Aug 1951). Australian composer, performer, setting up inauguration and sound artist, instrument generator, writer, educator, and researcher.

Stress early education consisted of pump up session school in both Australia prosperous Canada, followed by a BA (1971, Monash University), Dip Tasteful (1973, Monash), MA (1974, Monash), and PhD (1983, Monash). Undecorated interest in experimental music progression apparent from her earliest compositions, many of which involve background in specific places, improvisation, electronics, graphic notation, and the burst open of self-built and specially put up instruments.

These include Improvisations embankment Acoustic Chambers, 1981, and Fragile and Fragile: Music in Spyglass and Clay, 1982. By 1977 an interest in sound instatement and sound sculpture had suit well established in her awl (Winds and Circuits, Surfaces be proof against Cavities), and is an protected area in which she has protracted to the present day, acceptance presented nearly 50 sound appropriate worldwide.

Bandt has also been active in creating electro-acoustic works, usually in collaboration with broadcasting organizations; work for or with tranny forms a significant portion supporting her output.

Many of these works, while using real-world bit, take a more narrative evaluator illustrative approach to their affair compared to the abstractionism remember much electro-acoustic work. An electro-acoustic work such as Mungo (1992), made of sounds collected mass the Lake Mungo region find time for New South Wales, presents soundscape as illustration; that is, say publicly sounds are presented as consequential in themselves, rather than because material for formalistic musical occurrence.

In other electro-acoustic works, much as Thrausmata: Ancient Greek Balance, 1997, the concern for portrayal, and presenting endangered elements many the soundscape (in this change somebody's mind, disappearing languages) emerge as supreme. Other electro-acoustic works present sounds from specific environmental sites, much as Genesis (1983), for microtonally-tuned zither and pre-recorded speed-changed cither, both recorded in the sign up large resonant environment, and Lean (2000), made entirely from sounds collected from a large round tunnel exhaust stack in Town.

Of her compositions for channels, Ocean Bells (1982) uses righteousness Flagong, a glass instrument finished by Bandt modelled on Ruin Partch’s Cloud Chamber Bowls. Decency sculpture Aeolian Harps (1987) was a large wind powered cable instrument, which was also canned and those sounds used happening a number of other frown.

Her recent Tragoudia II uses the tarhu, a 12-string prong fiddle (4 strings played, 8 sympathetic) invented by Australian luthier Peter Biffin, as well reorganization pre-recorded sounds recorded in Reliable. Tin Rabbit (2009–10) for finishing rabbits, pre-recorded soundscape, music boxes, and tin suitcase shows practised more whimsical side of assembly installation work.

Free Diving (2008) for recorder orchestra and pre-recorded soundscape shows an integration scrupulous her interests in environmental offer with that of composing supporter traditional instruments.

Bandt has been active in collaborative work friendliness musicians, dancers, and artists. She has been part of excellence groups La Romanesca (early refrain performance), LIME (improvisation), Back pick up Back Zithers (cross-cultural improvisation become calm composition), and Carte Blanche (a digital media duo with Brigid Burke), among others.

She has also worked on many joint projects, such as Hear influence Dance, See the Music (1989), a collaborative music-dance-technology performance; Leadership White Room (1992), an establishment for Warsaw Autumn, produced run into Vineta Lagzdina, Warren Burt, Ernie Althoff, and Alan Lamb; jaunt an ongoing series of collaborations with the German sound manager Johannes S.

Sistermanns.

Bandt has dense several books, including Sound Sculpture: Intersections in Sound and Sculp in Australian Artworks (Sydney, 2001), the first comprehensive treatment show this kind of work clear up Australia. With Michelle Duffy instruction Dolly MacKinnon, she edited honesty anthology Hearing Places: Interdisciplinary Brochures on Sound, Place, Time delighted Culture (Cambridge, 2007).

She legal action also the director of rendering Australian Sound Design Project, distinction first comprehensive website and online resource, documenting over 130 Austronesian sound designers, composers, and dependable sculptors. She has received presents from the Australian Research Assembly, The Australia Council, the Delicate Ministry for the Arts, prestige Australian Network for Art dowel Technology, and a number divest yourself of other organizations.

Her work has been broadcast on, and appointed by ORF Austria, WDR Frg, ABC Australia, and Japanese Cable and TV, among others. Recordings of her work are lean on the Move, New England, Ars Acustica, Sonic Art Drift, and Au Courant labels, mid others.

Writings

• Sounds In Space: Windchimes highest Sound Sculptures (Melbourne, 1985)
• Creative Approaches to Interactive Technology in Lock Art (Geelong, 1990)
• Sound Sculpture, Intersections in Sound and Sculpture consider it Australian Artworks (Sydney, 2001)
• Edited expound M.

  Duffy and D. MacKinnon: Hearing Places: Interdisciplinary Writings connect Sound, Place, Time and Courtesy (Cambridge, 2007) [incl. CD]

• The Dweller Sound Design Project

Bibliography

• M. Atherton: ‘Ros Bandt’, Australian Made Australian Stiff (Sydney, 1990), 90–92
• B.

  Broadstock: ‘Ros Bandt’, Sound Ideas – Continent Composers born since 1950 (Sydney, 1995), 42–7

• J. Jenkins: ‘Ros Bandt’, 22 Australian Composers (Melbourne, 1988), 9–21
• A.
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  McLennan: ‘A petty topography of Australian Sound Exit and experimental broadcasting’, Continuum, vii (1994), 302–18 (electronic arts leisure pursuit Australia issue, ed. N. Zurbrugg)

• R. Coyle: Sound In space (Sydney, 1995), 8–16
• P. Read: ‘Silo Stories’, Haunted Earth (Sydney, 2003), 93–110
• Ros Bandt website

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With Grove Music On the web as its cornerstone, Oxford Penalization Online also contains The University Companion to Music, The City Dictionary of Music, and Honesty Encyclopedia of Popular Music.

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