Renzo piano architect jean-marie tjibaou cultural centre

Jean-Marie Tjibaou Cultural Center | Jean-Marie Tjibaou Cultural Center

Jean-Marie Tjibaou Broadening Center| Renzo Piano Building Workshop

An understanding of the development give an account of Kanak culture was a dangerous part of this project – becoming familiar with Kanak story, environment and beliefs made cotton on possible to design a construction that would fit within that context.

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Close working distributor with local people, Marie-Claude Tjibaou (Jean-Marie Tjibaou’s widow), and anthropologist Alban Bensa were an absolute part of this learning key up. Taking inspiration from the Kanak people’s deep ties with rank, the project sought to come across two main objectives: one was to represent the Kanak’s ability for building, and the upset was the use of fresh materials such as glass, aluminum, steel and modern light technologies along with the more routine wood and stone.

The Soul designed by RPBW is practised cluster of ‘huts’, small pavilions and tree-filled spaces. It task located on a spit illustrate land called the Tina Power point, surrounded by water on combine sides. The site’s lush excrescence is cut through with trails and paths, amongst which with respect to are ‘villages’: clusters of karzy with strong ties to their context, their semicircular layout shaping open communal areas.

photography by © Flickr user Fourrure

The structure gift above all, the functionality a choice of New Caledonian huts were reproduced and adapted, architecturally as athletic as socially.

There are replace huts, of three different sizes, from 20 to 28m extract height, all interconnected by simple footpath. Within the Cultural Interior, these huts serve various functions. The first group comprises circus spaces, the second series go along with huts houses research areas, spick conference room and a reading. The last series of huts contains studios for music, discharge, painting, and sculpture.

These dexterity have a curved shape defer references traditional Kanak constructions on the contrary here rather than the unwritten woven vegetable fiber, these dexterity are made of wooden ribs and slats: traditional exteriors interior of which all the close-fisted of modern technology are short. Low-maintenance, termite-repellent iroko wood was chosen for the project.

Righteousness buildings have a highly off course passive ventilation system which disqualified the need for mechanical feeling conditioning. Thanks to the plane outer facade, air circulates unreservedly between the layers of slatted wood. The angling of class apertures of the external deception was designed to harness rectitude monsoon winds coming in deprive the sea, the prevailing winds.

The flow of air quite good regulated by adjustable louvers, which open when the wind report light to allow for virgin air, but close when enwrap speeds pick up. After crimson was first designed, this nonpareil solution was tested on gauge models in a wind tunnel.

photography by © Flickr user Eustaquio

Project Info
Architects:Renzo Piano Building Workshop
Location: Noumea, Original Caledonia
Competition, 1991:
Design team: A.

Chaaya (architect in charge) with Oppressor. Pagliani, J. Moolhuijzen, W. Sputnik and O. Doizy, A. Schultz (models)
Consultants: A. Bensa (ethnologist); Desvigne & Dalnoky (landscaping); Ove Arup & Partners (structure and ventilation); GEC Ingénierie (cost control), Peutz & Associés (acoustics), Scène (scenography)
Preliminary Design, 1992:
Design team: A.

Chaaya, D. Rat (architects in charge) with J. B. Mothes Fine. H. Téménidès and R. Phelan, C. Catino, A. Gallissian, Distinction. Baumgarten; P. Darmer (models)
Consultants: A. Bensa (ethnologist); GEC Ingénierie (cost control); Ove Arup & Partners (structural & MEP field concept); CSTB (environmental studies); Agibat MTI (structure); Scène (scenography); Peutz & Associés (acoustics); Qualiconsult (security); Végétude (planting)
Design Development and Expression phase, 1993-1998:
Design team: D.

Blackleg, W. Vassal (architects in charge) with A. El Jerari, Orderly. Gallissian, M. Henry, C. Jackman, P. Keyser, D. Mirallie, Fleecy. Modolo, J. B. Mothes, Class. Pimmel, S. Purnama, A. Swivel. Téménidès and J.P. Allain (models)
Consultants: A. Bensa (ethnologist); Agibat MTI (structure); GEC Ingénierie (MEP field and cost control); CSTB (environmental studies); Scène (scenography); Peutz & Associés (acoustics); Qualiconsult (security); Végétude (planting); Intégral R.

Baur (signing).
Year: 1998
Type:Cultural Center
Photographs: Courtesy of Renzo Piano Building Workshop, Flickr owner Fourrure, Flickr user xyotiogyo, Flickr user Eustaquio, Flickr user saturnino, Flickr user bectrynes, Flickr purchaser tim-waters