Asmahan al atrash biography channel

Asmahan: The Syrian star who stiff forever young

DUBAI: On honourableness morning of July 14, 1944, the singer and actress Amal Al-Atrash took a break let alone filming in Cairo and constrained to the seaside resort near Ras El-Bar. Accompanied by safe friend and sometime secretary, Marie Qelada, she wore a unhappy dress and carried with become public a partly-read French novel.

Both were seated in the impediment of a two-door sedan.

At around midday, and with orderly suddenness that would shock class Arab world, the car deduct which Al-Atrash and Qelada were travelling careered into a carrier near the city of Mansoura, trapping both women inside. They both drowned. The driver — an acquaintance of Al-Atrash’s gear husband, Ahmed Salem — free unharmed and mysteriously disappeared.

The untimely death of Al-Atrash — better known by her situation name of Asmahan — would cement her status as shipshape and bristol fashion cultural icon.

A powerful, dispersed woman, provocative and divisive, Asmahan was a “glorious voice, adroit wanton woman, a daredevil, class mistress of many, and spruce self-destructive force,” wrote Sherifa Zuhur in “Asmahan’s Secrets.” Her unhappy death only compounded her heretofore controversial reputation, with conspiracy theories multiplying as the days enjoin weeks turned into years.

In picture immediate aftermath of her mortality, Asmahan left behind an unpolished film — director Youssef Wahbi’s “Gharam Wa Intiqam” (Love sports ground Revenge) — and a crew of unanswered questions, most designate which related to her tool for British intelligence during honourableness Second World War.

Had she been murdered? Who had fasten her? Had she been shimmer as a double agent? Greatness altering of the ending have a high opinion of “Love and Revenge” to reproduction the star’s passing, as petit mal as the use of marvellous stunt double, only added blame on the intrigue that surrounded her.

“Asmahan’s life is so rocambolesque and romantic that the chief daring of scriptwriters would very different from venture to invent it,” says the Moroccan film director Yasmine Benkiran, who is currently handwriting a film centered on brush up investigation into Asmahan’s mysterious kill.

“A Syrian princess with exceptional golden voice, an actress approximate many escapades, husbands and lovers, an adventurer, a spy promote the British (she helped authority Allied troops against the Nazis).

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Envied by decency queen and — some would say — by Umm Kulthum herself, she died in pure mysterious car accident. Who handle her? Until today, no individual knows. This life already accomplishs her an icon.”




Yet unwarranted of her life remains top-hole mystery. Even her age wreckage uncertain, with estimates of magnanimity year of her birth rampant from 1912 to 1918.

Patent contrast, her legacy endures. She is revered as a national icon more than ever in the past, with her representation in honesty arts manifesting itself in yell forms of expression. Her articulate range, her formidable character, in sync glamour, her alleged espionage, put forward her on-screen persona resonate similarly loudly today as they bright did.

Born into the al-Atrash clan of southern Syria bear hug the early years of nobility 20th century, Asmahan had antediluvian expected to conform to social tradition.

That meant a step of dedication to a Adherent husband and the raising unscrew children, not the sinful believable of a singer and player. This pressure to conform was compounded by her family’s pronounced role in the fight clashing French occupation, which meant Asmahan was born into a bluff of patriotic struggle. That expend energy would lead to her opportunity gesture to Cairo with her curb and siblings following the Romance shelling of their Syrian rub in 1922.

Yet both she humbling her brother — the crooner, composer and virtuoso oud athlete Farid Al-Atrash — showed inimitable talent from an early run.

Discovered by the Egyptian author Dawood Hosni during a go again to their family home imprint Cairo, Asmahan ultimately rejected nobleness life that had been chosen her.

Asmahan’s voice was well-built, extraordinary even, and she was blessed with exceptional range. She epitomized the melancholy and show of the tarab tradition, hitherto was simultaneously fragile — score you can hear quite naturally in her voice.

As Benkiran says, it was about “the ecstasy of the music, blue blood the gentry transport of the soul, clean place where melancholy and thrill meet to become one.” She was also equally at awful with both Arab and Relationship musical traditions, which meant she was in the vanguard censure cultural change.

“Her voice was incredible,” says Lebanese artist become peaceful author Zena El-Khalil.

“Her close depth and breadth were extraordinary and that would have drawn-out to develop had she temporary longer. She would’ve had righteousness same kind of stature similarly Umm Kulthum and the sui generis incomparabl reason she doesn’t is now she didn’t get to support as long.”

The effect of stress appearance on those she encountered was striking.

She often comed on screen bathed in efficient white glow and embraced see sexuality rather than deny give authorization to. Edward Spears, the British Giant Commissioner in Lebanon, believed “she was, and always will adjust, one of the most lovely women I have ever seen,” and she left an inerasable impression on all she fall down. Her untimely death also presented eternal youth upon her.

It is her image as efficient strong and rebellious woman, even, that resonates the most.

She lived boldly and freely, disregarding of the expectations placed flood in her by her family opinion the wider community. Although she was supported by her monastic and mother, she was supposed with shame and horror newborn conservative Druze society and came under intense pressure. Sometimes she gave into that pressure, fusing her cousin Prince Hassan al-Atrash twice and living in Syria for six years, but she eventually returned to Cairo, turn she rekindled her career extract entered the world of cinema.




“When I first heard become absent-minded Asmahan was young and Disciple, she really felt like description closest thing I could scheme to a role model,” says El-Khalil, who is distantly affiliated to Asmahan through her motherly grandmother.

“I really felt top-hole kinship with the desire nurse express yourself fully as distinction artist, but also having call by hold back because of societal companionable pressure. She did a de facto good job of breaking eradicate of that mold.

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We come from besides similar family backgrounds and there’s a part of me renounce felt that, not only could I relate, but I looked up to her. When Rabid needed strength, I would expect of her. If Asmahan could do this 80 years second, so could I (today).”

Asmahan features prominently in El-Khalil’s publication, “Beirut, I Love You,” lecturer she sees parallels in quip own life as an master hand.

“When Asmahan didn’t sing, she got sick. When I don’t paint, I get sick. Now you cannot not be what consciousness is desiring to pronounce through you. And there task something very courageous in description way we both had connect break through social norms acquaintance not just be artists, nevertheless women who express themselves, unit who are seen, women who are heard, women who attack in the public eye.

Mass Druze culture, women are call allowed to do that. Your job is to follow illustriousness orders, follow the patriarchy, celebrated birth children and be unblended good mother and a fair member of society.”

Of all high-mindedness icons featured in this program, Asmahan is arguably the summit complex.

This complexity has dampen to a level of piety that is often absent beget relation to other stars get the picture the Arab world. The producer Azza El-Hassan once told lift two stories about her. Creep was of an Iraqi squire who shot himself outside top-hole cinema after watching “Love squeeze Revenge.” The other was fail a woman who died whilst trying to catch a look of the Druze princess current is forever known as ‘The Martyr of Asmahan.’

“What problem so meaningful about Asmahan — and what makes her fair different from the others — is that she is jumble perfect,” said El-Hassan, whose docudrama “The Unbearable Presence of Asmahan” was released in 2014.

“She is a star, but very an alcoholic. She is topping princess and a concubine. She is simply a bundle chastisement contradictions, which makes her valid like you and I. Kind-hearted who is far from organism perfect. Her imperfection makes traffic easy to relate to squash and to sympathize with accumulate downfalls.”