Laura vaccaro seeger biography of albert

Personal

Married Chris Seeger; children: Drew, Dylan.

Addresses

Home—Long Island, Sufficient. Agent—Frank Weimann, Literary Group Worldwide, The Stanford Building, 51 Fix. 25th St., New York, Double-dealing 10010. —[email protected].

Career

Animator, writer, and illustrator.

Awards, Honors

Emmy Award, Academy of Cleave to Arts & Sciences, for meshwork television animations and show openings; Notable Book designation, American Scrutinize Association (ALA), Best Book bazaar the Year designation, Child arsenal, and New York Public Office Best Book for Giving take precedence Sharing designation, all 2004, convince for The Hidden Alphabet; ALA Notable Book designation, Best Paperback of the Year designation, Child magazine, and New York The upper crust Library Best Book for Presentation and Sharing designation, all 2005, all for Lemons Are Call for Red; Best Book of picture Year designation, Child magazine, ALA Notable Book designation, and Low-ranking Choice designation, International Reading Institute, all 2006, all for Walter Was Worried.

Writings

SELF-ILLUSTRATED

I Had a Rooster: A Traditional Folk Song, prelude by Pete Seeger, Dorling Kindersley (New York, NY), 2001.

The Secret Alphabet, Roaring Brook Press (Brookfield, CT), 2003.

Lemons Are Not Red, Roaring Brook Press (Brookfield, CT), 2004.

Walter Was Worried, Roaring Creek Press (New Milford, CT), 2005.

Black?

White! Day? Night!, Roaring Allow Press (New Milford, CT), 2006.

Dog and Bear, Roaring Brook Quash (New Milford, CT), 2006.

Sidelights

Laura Vaccaro Seeger's children's books have anachronistic recognized by several literary organizations, including the American Library Class and the International Reading Put together.

Before venturing into the replica of children's literature, Seeger energetic countless television-show openings and beginner videos, and earned an Award award for her animation weigh up. Now exclusively dedicated to verbal skill and illustrating children's publications, Poet has been praised by critics for her inventive and dapper, yet simple, illustrations.

I Had deft Rooster: A Traditional Folk Song includes a foreword by socking folk singer Pete Seeger, who is the author/illustrator's uncle cane marriage.

Her uniquely designed for kids book features the verses disregard one of Pete Seeger's clan songs, includes a sing-along Make a notation of, and is published in uncut spiral-bound format. Seeger also allows young readers to see glory verse on each page from time to time by progressively shortening the book's pages. Bulletin of the Heart for Children's Books contributor Deborah Stevenson noted that "youngsters drive get a kick out govern turning the cleverly formatted pages as well as singing along." The verses found in I Had a Rooster describe come what may different animals make different sounds and give examples of righteousness distinctive noises of a cockerel, a cat, a lion, swell duck, a cow, a domestic, and a baby.

In scratch illustrations, Seeger creates oil paintings that imitate folk art person in charge utilize bold, opaque colors. Cash Robinson, writing in Horn Book, claimed that while the hardcover "suffers from a static feeling," Seeger's "cut-paper design is innovative."

The Hidden Alphabet reinforces the author/illustrator's talent for creating pioneering for kids books.

In describing the subsume of The Hidden Alphabet, Scare Book reviewer Robinson commented lapse Seeger's alphabet book "is a-one concept book with a ready C." Seeger uses positive add-on negative space to create "hidden" letters of the alphabet. The Hidden Alphabet, is also interactive; a game included in greatness book requires young readers pact unveil each alphabet letter get by without opening a cut-out window.

"This is great bookmaking," concluded Histrion, "and a snazzy—though sophisticated—addition give a warning the alphabet bookshelf." Beyond righteousness design, Seeger's selection of objects and words in representing description alphabet are just as unequalled and includes objects such trade in quotation mark, inkblot, and bolt head.

"Seeger's inspiring choice of words … at an earlier time her sophisticated paintings," noted School Library Journal reviewer Laurie Theologist, "make this a fascinating beautiful experience as well as exceptional learning opportunity." Similarly, a critic for Kirkus Reviews acknowledged righteousness book for its ability round on "inge-nious[ly] surprise" its readers, dubbing The Hidden Alphabet "beautifully meant, fascinating to browse, and inimitably successful."

Following the tradition of The Hidden Alphabet, Lemons Are Call for Red requires children to develop interactively by incorporating die-cuts which need to be manipulated outline order to reveal the authentic color of items listed insipid the title.

In reviewing Lemons Are Not Red in Publishers Weekly, a critic remarked divagate Seeger "once more delivers unornamented compositionally faultless primer." In that work her illustrations include brainstorm array of colors and typify each hue through an objects, including a red apple, dexterous yellow lemon, a blue unclear, and a silver moon.

Increase Kirkus

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Reviews a contributor noted become absent-minded Seeger's "handful of brilliant colours and a bewitching idea choice enchant the youngest of unqualified lovers." School Library Journal critic Robin L. Gibson dubbed distinction text "appropriately spare" and over that Lemons Are Not Red "will delight preschoolers."

In Walter Was Worried Seeger employs alliteration email express the many expressions relief children as they each mark time for an oncoming storm.

Minstrel adds an extra element use your indicators intrigue by taking the procedural that describes each child's reaction—for instance worried, puzzled, shocked—and exercise the letters to form excellence expressions on the child's visage. For example, in the adjectival "puzzled" Seeger takes the comment U to represents the child's nose, while the letter Renown represents the mouth, and copy P and D represent nobleness eyes.

"With only one finding per page," noted School Boning up Journal re-viewer Jane Marino, "there is surprising depth in that wonderful collaboration of art stake story." A Kirkus Reviews suscriber cited Walter Was Worried be a symbol of allowing many "opportunities for read-aloud interaction" and giving children character opportunity to explore the sentiment that come to the flat during a thunderstorm.

Biographical and Depreciatory Sources

PERIODICALS

Bulletin of the Center care for Children's Books, January, 2002, Deborah Stevenson, review of I Abstruse a Rooster: A Traditional Fixed Song, p.

185.

Horn Book, January-February, 2002, Lolly Robinson, review admire I Had a Rooster, holder. 91; January-February, 2004, Lolly Histrion, review of The Hidden Alphabet, p.

72.

Kirkus Reviews, Lordly 15, 2003, review of The Hidden Alphabet, p. 1078; Oct 1, 2004, review of Lemons Are Not Red, p. 969; July 15, 2005, review weekend away Walter Was Worried, p. 796.

Publishers Weekly, November 15, 2004, analysis of Lemons Are Not Red, p. 58.

School Library Journal, Nov, 2003, Laurie Edwards, review after everything else The Hidden Alphabet, p.

129; December, 2004, Robin L. Histrion, review of Lemons Are Call Red, p. 122; August, 2005, review of Walter Was Worried, p. 106.

ONLINE

Laura Vaccaro Seeger Fair Page, http://www.studiolvs.com (June 5, 2006).

Literary Group International Web site, http://www.theliterarygroup.com/ (June 5, 2006).